Carla fracci by carla fracci11/19/2023 ![]() ![]() ![]() This is definitely a convincing biopic about one of the greatest ballet dancers of all time. Carla Fracci, allanagrafe Carolina Fracci (Milano, 20 agosto 1936 Milano, 27 maggio 2021), è stata una ballerina italiana. The beginning and the end of this film follow a perfect circle: great impact the image of the little Carla followed by the one of woman Carla trying to catch a dragonfly, the bird that inspired her in her whole carrer. The soundtrack is appropriate and functional to all the characters' emotions. Her milanese accent was accurate and gives us back an even more authentic Fracci. Carla asked her to emphasize determination, fatigue, strenght and sacrifices during her ballerina carreer. However, Mastronardi, during the months preceding the shoot, followed a training with a dance coach to prepare herself for the role. During the ballet's film shoots, Alessandra was helped by Susanna Salvi, her stand-in, who is ètoile at Rome Opera Theatre. The actress who plays Carla, Alessandra Mastronardi, was directly chosen by Carla Fracci. These aspects make the protagonist Carla a contemporary heroine, who shows us the exceptionalism of a well-lived life, where talent just represents a springboard that makes room for hard work and fatigue, that seem to remain behind the scenes but that permeates in every single performance and every single step. A woman who worked hard to not accept easy compromises, who researched for love as well as carreer, without giving up either of them. The non-linear narration choice allows to emphasize a very precast aspect of Carla: her being a modern woman. When using cinematography to tell the story of a famous person, the danger is to being bombastic, but director Imbucci was aware of this and he avoided that narration style with stereotypes that does nothing but tell in a simple and predictable way the life of a celebrity. In the biopic we can also see her getting back to ballet after the pregnancy thanks to his friend Rudolph Nureyev who encouraged her to come back to La Scala's stage with Nutcracker. She didn't want to give up on something that was part of her life. Much emphasis is also put on the ballerina's choice to become a mother, an unusual choice for an ètoile like her. The story narrated see the rise of her carreer on multiple timescales, not following a chronological timeline. The film is close enough to her life, however, Imbucci wanted to underline certain aspects of her life. Nenechajte si ujs film o ivote talianskej primabaleríne Carle Fracci, ktorá bola jednou z najslávnejích baletných hviezd 20. She was an actress, known for Lady of the Camelias (1981), Verdi (1982) and Nijinsky. The screenplay is original and it boasted the consulence of the same Fracci together with his husband Beppe Menegatti. Carla Fracci was born on 20 August 1936 in Milan, Lombardy, Italy. of the heritage of the 19th century repertoire.Emanuele Imbucci's biopic film brings to the screen the life of Carla Fracci, defined by the New York Times "Prima Ballerina Assoluta" and it is freely inspired by biography "Passo dopo passo" released by Mondadori. For the youngest readers, for whom the book is expressly intended, the story represents an opportunity to experience the fervent atmosphere of a period, between the 1960s and 1990s of the twentieth century, when ballet was renewed in a fresh and modern reinterpretation. ![]() The authors, with two different and personal styles, first reconstitute the cultural environment in which this “pas de deux” took place from the ballet scene in post-war Italy, then retrace – in the artistic context of the Fracci-Nureyev duo – the extraordinary individual careers of these two Principal dancers. Their partnership was an explosive event for the Italian theater scene, as we can discover through the testimonies of the protagonists and the Press of the time. ![]() What can we still learn from the life and artistic experiences of two great 20th century dance stars? Carla Fracci and Rudolf Nureyev changed the perception of dance and ballet in Italy and around the world. The autobiography of the famous Carla Fracci was published in Italy by the Mondadori house, while for the Serbian market this edition was realized by the Belgrade Dance Festival in collaboration with the Italian Institute for Culture, with the support of Banca Intesa and the Milan Scala Foundation. ![]()
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